Tania Saleh: A Woman Called Wehde

by Alakhbar English

Tania Saleh: A Woman Called Wehde

Beirut - Wearing a silky black gown and a sparkly tiara in her hair, Tania Saleh captivated her audience the moment she came on stage Wednesday evening at Beirut’s venue Democratic Republic of Music (DRM). She seemed so in touch with her soul that she might as well have sprung from the past, or from some imagined, less complicated future.


Elie Rizkalla's interviewed by Natalie Shooter..."Something Not Personal"

by Timeout Beirut

Elie Rizkalla's interviewed by Natalie Shooter..."Something Not Personal"

Lebanese singer Elie Rizkallah shares his thoughts on the importance of preserving Lebanon’s musical heritage, before releasing his new CD ‘Shi Mesh Shakhsi’.


Rolling Stone Magazine: "Vintage Arab Classics Find New Life"

by Rolling Stone Middle East

Rolling Stone Magazine: "Vintage Arab Classics Find New Life"

A unique collection of classical Arab music from artists such as Sayyed Al Safti, Sami Al Shawa, and Amin Al Bouzari will soon be available in digital format for the first time. Lebanese businessman Kamal Kassar, founder of the AMAR Foundation, fought off competition from around the world, including Radio Israel, to purchase the astonishing collection of Egyptian music historian Abd Al-Aziz Anani, which included several thousand 78-rpm records of Egyptian and Syro-Lebanese music, 33-rpms, magnetic bands, books, monographs, and catalogues of recording companies.


Rencontre avec Charbel Rouhana; Vivre l'instant présent, même en musique...

by Mondanite magazine

Rencontre avec Charbel Rouhana; Vivre l'instant présent, même en musique...

Charbel Rouhana talks about his past, present and future in an interview with Olga Haddad Issa.


Omeima El Khalil's latest album "YA" review - RollingStone

by Rolling Stone Middle East

Omeima El Khalil's latest album "YA" review - RollingStone

Since her last album release in 2000, Omeima El Khalil’s music has had a makeover. And it’s worked wonders. Renowned in the Eighties and Nineties for her powerful vocals and songs based around long intros and classical Arabic riffs, the artist’s new album is modern, surprising and very good. The first song, “Ouhibbouka Akhtar” (I Love You More), is an a cappella declaration of passion, and the second track “Ya Helou” (Handsome Guy) fuses salsa rhythms with Arabic lyrics. Latin beats heat up five other tracks, while she sticks to traditional Egyptian stylings on songs like “Ya Sidi.”



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